Or, if you double click inside them, it's going to bring up your color palette and you can adjust each color individually like so. And if you want to customize that, you've got our colors here which you can adjust, and you can drag this to adjust the great ent. So, if I click and do it in different ways, you see that adjust the great ent as well and you can come up here and if you click this arrow right here, you've got some presets which you can select. I'm going to let go, it's going to create a great ent and that great ent is based on my lines. I'm just going to click and drag and that's going to create a line as you can see. Up above that to the right, you've got your color blend tool which is like your fill tool but basically creates a great ent inside of my lasso tool. Also what you can do if you select your lasso tool, and then select your fill tool and click somewhere, it's going to fill in just where you have your lasso tool there. As you can see there, and you can adjust the tolerance up here on the left as well as the intensity. And if you have a picture, I'm going to open up my cat picture and click inside the wall here, that's just going wherever there is white or whatever color you click on. Blow that you've got your flood fill tool, if you select that and click somewhere in your picture, it's going to fill up your picture with a, whatever you have as the foreground color, in this case it's red as you can see here. And it works pretty much like the paintbrush, but it's a little more smooth when you draw, and you may prefer this to the paintbrush, it's just a matter of preference. And I'm going to go ahead over and paint.
I come over to my toolbox and select the airbrush, you've got some options up here, you've got your intensity, which you can set from zero to a hundred. In this lesson I'm going to teach you about the Airbrush tool as well as some of the Fill tools available to you in Photoline. Photoline is a registered trademark of Computer Insole and I am in no way affiliated with Computer Insole.
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